Taiwan Good Agriculture
Ministry of Agriculture · 2018–2019 · Project Coordinator
Japan-market brand guidance for domestic producers, roughly ten a year, inside a program that has guided 155+ producers over 16 years. I scheduled the consultancies, worked on product development alongside the producers, and handled the Japanese-language liaison throughout.
The flagship was a Taiwan–Japan collaboration: Fu Wan Chocolate, working with Japanese culinary consultants and eslite, through a six-step pipeline that ran from raw-material selection to packaging to channel marketing, built for Japanese palates. Four products shipped and sold in both markets. I also took producers to the Great Okinawa Trade Fair and ran department-store pop-ups in Japan.
Mob Psycho 100 — Toei Company
Toei · Zukun Laboratory · 2017–2018 · Project Manager (intern)
VFX delivery for one third of the live-action TV adaptation of the Japanese manga. I scheduled cut by cut against the director’s PreVis, ran the revision loop between Tokyo and the Taiwan-based artists, and translated JP↔ZH throughout, on a production where a misread effects note costs a shooting day.
My first professional role, and where I learned that the hardest part of a cross-border pipeline isn’t the craft. It’s making sure two teams mean the same thing by the same word.
CGWORLD vol.237 documented the production — the Japanese CG industry journal’s VFX Anatomy feature, naming Toei’s Zukun Laboratory as lead and the Taiwanese studio I worked for among the CG/VFX houses.
